Cause You’re There for Me Toooooo….

The TV show Friends ran from 1994-2004, and won 60 awards, including a BAFTA. More recently, it’s attracted a whole new generation of viewers by being launched globally on Netflix, as well as a whole lot of judgement about the writing and cast. In fact, you might say that lately, it hasn’t been Friends’ day, week, month… or even its year.

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Somewhere inside me is the teenage girl who used to look forward to Big Thursdays on e4, call her off screen friends during the break in the show, before hurriedly putting the phone down when the advert for Ally Macbeal came on which meant we had 30 seconds until the cast was back on screen. And that teenage girl has found all the abuse hard to listen to.

Much like many of us following the #metoo movement have struggled to accept that some of our best loved actors and celebrities are actually kind of skeevy and gross, it’s kind of stressful to hear that the show that you believe was formative to your youth is actually just another example of Dustin Hoffman ogling an intern. Not quite illegal, but kind of disappointing none the less.

I’m not going to write about how Friends was a product of its time, although I do believe that’s true, and it seems unfair to judge it by our 2018 standards. But wrong is wrong, and I think we would all like to kind of delete The One with the Manny and pretend it never existed, and y’know, add more than 2 people of colour in the entire ten season back catalogue. And maybe just edit out some of the horrendous fat shaming. But I do think that if you look a little closer at this best-loved show, you’ll see that right alongside the issues, there are times where Friends was woke AF.

So join me, while I look at my favourite examples of when Friends pushed boundaries, and got us talking and thinking about issues that we may well have ignored otherwise.  I’d love to hear your own!

The One with Marriage Equality

Did you know that the wedding of Carol and Susan was the first lesbian wedding to be shown on television? Back in 1996, Ross’s ex wife Carol married her lesbian lover, Susan, in a gorgeous wedding scene which ended up winning them awards and critical acclaim, as well as the episode being banned on several NBC affiliates. There were no tired stereotypes, Susan and Carol were then, and remained, two women who fell in love, and wanted to celebrate that love with the world. This, two decades before marriage equality was actually passed into law in the whole of the US. The storyline which progressed, where Ross, Carol and Susan co-parented Ben together was so ahead of its time, that I still can’t think of another quite like it.

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The One Where There’s No Right Way to Have a Family

One amazing example of pushing the boundaries was Monica and Chandler’s struggle with infertility. Pregnancy in the world of television is more often seen as dozens of overly fertile women and teens who get pregnant after a one-night-stand, rather than what’s more often true to life, that it’s not simple for everyone to have a baby. Watching Monica and Chandler go through the adoption process, and then bring their twins home was a breath of fresh air which for many, has changed the way we talk about our fertility options. Plus, we got to meet Erica, the biological mother who was so clueless that she didn’t even realize she was having twins. “I thought that was just mine and the baby’s. They kept saying both heartbeats are really strong, and I thought well, that’s good ’cause I’m having a baby!”

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The One Where Monica’s Career Comes First

Remember when Chandler moved to Tulsa? (Frankly, I’d sooner be in any other State!) While at first, Monica was going to come along and play the supportive wife, (It’s gonna be hard to keep Kosher in Tulsa!) once she got offered an awesome job in New York, she stayed right where she was. Eventually, when the toll it was taking on their marriage got too much to handle, Chandler was the one who gave up his job and moved back to New York, with his wife becoming the breadwinner and hardly a male ego bruised in the process. Men of the world, take note.

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The One with the Animal Rights

When Chandler and Joey welcomed Chick and Duck into their lives, there was a clear agenda under the storyline. Under the laughs of the men’s new animal roommates was the sad truth that too many animals are bought for the holiday season, and then neglected or returned, where they end up being killed or abandoned. Of course, Phoebe kind of undermines that when she forgets about feeding them when the guys head to London, but let’s gloss over that part. Oh, and don’t forget, when Gary shoots a bird, it’s way over.

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The One Where Your Friends are Your Family

For me, anyway, Friends was always about a world where the people you saw everyday weren’t your family, but your closest friends, the family you chose. Everyone had crazy siblings (Did I buy a falafel from you yesterday?) or weird parents (‘Ah! Nora Bing!’) or drama going on with their blood relatives, (“You work and you work and you work on a marriage…“ “You work and you work and you work on a boat”) but the six of them were the true nucleus of each other’s lives.

Is it a perfect world? Absolutely not, and the writers should be held partially accountable for some of the elements of the show that make us all wince as we watch in 2018. (Joey’s man bag anyone? Alongside his man jacket and man shoes?) But this fan believes they should also be praised for the stuff they got right. And seeing as the show is old enough that Ben would now be 23, (!) that’s pretty darn good.

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Where has Carrie Bradshaw gone?

Most people like to think of this as a generation of sexual liberation. We have greater freedom to express ourselves, better laws to protect ourselves, and with the Internet-a wider forum than ever to indulge in whichever proclivities take our fancy.

But there is something strange about the way us 21st century women, us beacons of a sexually emancipated generation, read and view the act itself.

We are in a time of gay marriage, of open relationships, of fetish wear for sale right next to the frilly nighties. No one can deny how far we have come. So WHY am I surrounded by so many sexual myths in popular culture and opinion?

Like so many other issues, I believe the media has a lot to answer for, and that we haven’t really taken any steps forward in well over a decade when it comes to imitating life through the art of television, film or books.

I remember being 15 years old, given free rein for the first time on the wide world of the web, streaming episodes of Sex and the City, with one finger poised over the minimise button and one eye on the door in case my mum walked in. While the show has become less of a ‘guilty’ pleasure, it still holds a massive fan base, myself included. And I would argue that entertainment today cannot hold a candle to its honesty and realism when it comes to relationships and sex.

You’re crazy! (I hear you shout.) What about Girls? What about the 50 Shades phenomenon?

Yawn.

Is this really the next level for us in sexual expression? Shock? While SATC might not have got as far with BDSM as a descriptive spanking scene or images of nipple clamps, and while Girls may arguably present a more realistic version of financial life in our twenties, there is absolutely nothing remotely modern or real in their presentation of relationships.

There is no doubt that we’ve made leaps and bounds in the “how far can they go” factor. If you want someone to congratulate, find whoever is responsible for ratings and censorship, because they have had a hell of a time since the new millennium. It would seem nothing is too shocking, nothing is too sacred to plaster across screens and pages with abandon when the last ‘hardcore’ topic of conversation becomes old news, as everything eventually will.

And there’s nothing wrong with that, if it’s your cup of tea. Sex, as in the act itself has never been more revealed. But don’t mistake that for something entirely different. Because sex, as in the relationship gender battle? I believe it’s as hidden in entertainment as it was before the likes of Carrie Bradshaw ever hit our screens, erasing all the hard work those writers ever did.

I’m not talking about the extremes of Samantha and Charlotte, looking for complete opposites in the dating pool and there to surprise and reassure us respectively, giving us their own version of that “shock factor”. I mean the typical Carrie that is inside all of us while we are dating, or in any long term relationship for that matter. Not sure whether we’re searching for Mr Right or Mr Right Now, The One or the One that suits my current situation. Wondering how or if to fix challenges between partners, and how much to share of ourselves. Carrie’s relationships pushed the boundaries and honesty of sexuality and notably gender further than anything else has since.

It could be dispelling the myth that sex doesn’t get better, with Carrie and Burger’s self professed “quiet” first time leading to a meaningful relationship (pre post it of course), or the propaganda slaying of the opposing dragon, that your partner needs to be ‘the one’ to enjoy a physical relationship, her brief fling with the jazz man giving her the ‘most intense orgasm’ of her life. Either way, where modern culture may have screamed ‘sexually incompatible’ at Carrie and Burger, or placed a ‘happily ever after’ neon sign directly above the happily uncommitted latter duet, Carrie did nothing of the sort. She persevered with Burger, accepting that mood, nerves, lighting, and just simply getting to know one another better, all factor more than the world would let you believe, and after happily finding herself ‘life incompatible’ with physically compatible guy, bravely discarded him to the bonfire of relationships past.

She lived her life. And the men did too. Was Big always there in the background? Yes he was. And that’s okay too. Because her life wasn’t portrayed as a mess without him, or more importantly still- not a mess with him. Her choice (and his too) at the end of the day was to be together, whereas for Samantha her equally legitimate choice was staying single. For Charlotte and Miranda it was marriage and kids, all portrayed as decisions with pros and cons and strings attached, and not a happily ever after in sight. Just life, with all it’s ups and downs, regardless of gender or choice.

Entertainment is there for just that, to entertain you. It’s okay to get swept away in the story, romance or drama included, the same way as you might enjoy fantasy without looking for a vampire at every turn. But can you separate the fantasy of the supernatural in Twilight from the equally farcical nature of Bella leaning on a man at every turn to save her? Find Christian Grey sexy without craving Ana’s virginal experience?

I hope so. Because it doesn’t look like anyone’s creating any alternatives for us any time soon.